Geisha drummers. Endless loops. A Flash site that rewired the early internet. Drum Machine (2003) turned Sam Lanyon Jones into Tokyoplastic: cult, hypnotic, unforgettable. The work spread from Sundance to D&AD to BAFTA, defining a generation of motion design. Two decades later, the same obsessions (cute collapsing into grotesque, rhythm into chaos) are alive in his AI films. Tokyoplastic builds images that hit like posters in motion: deliberate palettes, iconic silhouettes, kinetic edits. Mischief and precision in equal measure. From Flash to AI, his vision hasn’t changed: create images that bait the world and never let go.